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3897 Members
81 Forums
13111 Topics
166619 Posts
Max Online: 722 @ 04/10/08 12:10 PM
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#140410 - 04/15/07 01:29 AM
Re: Pulling the sound out of the instrument
[Re: DigitalDrummer]
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Registered: 06/24/06
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Quote:
And to add to your analogy, in most forms of karate, the attacker is supposed to "punch through" the target in a way similar to playing through the head. If your target is 1 foot away, then imagine you're punching a target 2 feet away.
Yeah, same idea... what you intend to do after the event affects the event. This is a general life lesson if you think about it... what you intend to do AFTER skydiving will affect whether you open your parachute or not. 
Anyway, here's another thing that I like to do with this concept... I like to have my keyboard players play marching snare drums for a while and get a feel for the rebound that they give. Then, playing keyboards, try to imitate the same rebound. That works well for some students who are more kinesthetic learners.
Same concept, (yet another) different approach.
Edited by jthurman (04/15/07 01:30 AM)
_________________________
Performing 1995-1997 High school Front Ensemble, 1998 Colts Drum Corps, 2006 "Blindfolded drumming genius in orange" in Pipeline Children's Percussion Theatre Teaching 1998-1999, 2002-2003 High school front ensemble instructor/arranger, 2004-present high school percussion caption head/arranger Available for marching percussing arranging, clinics, and general consulting
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#169965 - 08/19/08 01:28 AM
Re: Pulling the sound out of the instrument
[Re: DigaDupSuck]
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blank
Registered: 09/26/07
Loc: Milwaukee, WI
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I think percussionisto has the right idea. What the director is doing is merely giving a visual representation that the student can use to produce the result that the director wants. I don't think the director has time to explain the physics of percussion like: the concepts of force, aiming below the surface of the bar/head, how microseconds matter when it comes to how long the mallet/stick maintains contact with the head/bar, etc.
If a student is truly interested in learning all about these fascinating yet difficult concepts to understand (I barely do at times and I've studied this at college for 4 years!), then the director can explain it to them. However, I think to make a quick fix, "lifting the sound from the bars" is acceptable.
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-------- Various playing experiences over 16 years... Various teaching positions over 6 years....
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